However, novelist E.L. Doctorow, a Kenyon freshman at the time, recalled that "there was no question about his talent." He said Newman was popular for being the leading actor on campus and for the laundry concession he operated.

"He was always entrepreneurial," Doctorow said.

After graduating with a degree in English, Newman acted in summer and winter stock productions in Wisconsin and Illinois, thinking he might eventually teach speech or drama. By then, he had married Jacqueline Witte, a fellow actor, with whom he had three children: Scott, Susan and Stephanie. Scott died in 1978 of an overdose of drugs and alcohol.

When his father died in 1950, Newman moved home to run the sporting goods store. A year later, the store was sold and he fled to New Haven, Conn., where he briefly studied drama at Yale University, specializing in directing, before trying his luck in New York.

"I was prepared to try it for a year and, if I got nowhere, to go back to Yale and get my degree," he told Lillian and Helen Ross in the book "The Player: A Profile of an Art." "I had no intention of waiting around till I was old and bruised and bitter."

In New York, then the center of live television and the home of the Actors Studio, Newman picked up lessons in Method acting, a technique that stressed naturalism, while he auditioned for parts and sold encyclopedias to support his family. He subsequently attributed everything he knew about acting to the creative community of actors, writers and directors at the studio. Later, he was president and, though it was never made public, financed the institution's operations for seven years when it fell on hard times.

Described as "gorgeous and intense," the young Newman quickly found small parts in television shows, including "You Are There," as well as a role as a rich college graduate in the Broadway production of "Picnic," in which Woodward was an understudy. When he asked to play the lead, a sexy braggart, director Joshua Logan said the actor was unsuitable because he lacked any "sexual threat" -- a challenge Newman met by embarking on a lifelong routine of vigorous workouts to stay in shape.

His marriage to Witte deteriorated as he began to attract work and positive reviews while his wife's priorities shifted to the children, according to friends. Newman fell into a period of turmoil in which he and Woodward began an affair.

He was arrested once for running a red light, driving into a bush and leaving the scene of an accident. The breakup of his marriage was drawn out, Stern said, because Newman was so concerned about being fair to his wife and children.

Witte obtained a divorce in Mexico in 1957. A year later, Newman and Woodward married, forming a lasting match that Newman attributed to "correct amounts of lust and respect." The couple had three daughters, Nell, Melissa and Clea.

Despite later rumors that not all was well in their marriage, Stern said they were committed and honored each other's choices in life. Although Woodward once quipped that "a mind is a terrible thing to waste on a Trans Am," Stern said, "they had real reverence for each other's talents and pursuits and idiosyncrasies."

Together they appeared in 11 films, including "The Long, Hot Summer," "From the Terrace" and "Mr. and Mrs. Bridge." Newman also directed her in four other films, including the highly respected "Rachel, Rachel," about a schoolteacher whose fears keep her trapped in a small town.

Stern, author of that film's screenplay, said he sometimes observed Newman watching his wife do something that moved him.

"It was the most exposed face of love I've ever looked at," he said. "You couldn't look at it long. It was like opening the wrong door."

Hollywood studios recruited Newman in 1954, at a time when the film industry, threatened by live television, hired many of New York's most creative actors, directors and writers. According to Penn, Newman "was emblematic of what was coming, the demand for independence that the next generation brought."