Our Buzzmeter panel of 32 film experts has cast its last round of voting for 80th Annual Academy Awards. While many races shifted very little, namely actor and supporting, there is still a wide open race in supporting actress. Take a look and see if you agree and we'll see you on Sunday night.

Best Actor
Daniel Day-Lewis, "There Will Be Blood"
George Clooney, "Michael Clayton"
Johnny Depp, "Sweeney Todd"
Tommy Lee Jones, "In the Valley of Elah"
Viggo Mortensen, "Eastern Promises"

The Envelope's own Tom O'Neil and film critic Carrie Rickey are the only voters to go out on a limb and pick anyone other than Daniel Day-Lewis. O'Neil pegged Clooney and Rickey likes Jones. Brave souls in the face of Sunday's "Blood"-letting.

Best Actress
Julie Christie, "Away from Her"
Marion Cotillard, "La Vie en Rose"
Ellen Page, "Juno"
Laura Linney, "The Savages"
Cate Blanchett, "Elizabeth: The Golden Age"

Julie Christie should be the winner according to our panel, with only three of our 32 voters selecting her fellow nominee Marion Cotillard instead.

Best Adapted Screenplay
Joel & Ethan Coen, "No Country for Old Men"
Paul Thomas Anderson, "There Will Be Blood"
Ronald Harwood, "The Diving Bell and the Butterfly"
Sarah Polley, "Away from Her"
Christopher Hampton, "Atonement"

"Blood's" Anderson and "Butterfly's" Harwood have their supporters, but a majority of our voters believe the Coen brothers will win again for "No Country."

Best Animated Picture
"Ratatouille"
"Persepolis"
"Surf's Up

Only Creative Screenwriting's Jeff Goldsmith had the guts to pick a "Persepolis" upset here. If "Ratatouille" does win, it would be director Brad Bird's second win after "The Incredibles."

Best Animated Short Film
"I Met the Walrus"
"Madame Tutli-Putli"
"Meme les Pigeons Vont au Paradis (Even Pigeons Go to Heaven)"
"Peter & the Wolf"
"My Love (Moya Lyubov)"

Our prognosticators vary widely on this race, but "I Met the Walrus," which includes a rare interview with John Lennon, is the narrow front-runner.

Best Art Direction
Dante Ferretti (Art Direction); Francesca Lo Schiavo (Set Decoration), "Sweeney Todd: The Demon Barber of Fleet Street"
Jack Fisk (Art Direction; Jim Erickson (Set Decoration), "There Will Be Blood"
Sarah Greenwood (Art Direction); Katie Spencer (Set Decoration), "Atonement"
Arthur Max (Art Direction); Beth A. Rubino (Set Decoration), "American Gangster"
Dennis Gassner (Art Direction); Anna Pinnock (Set Decoration), "The Golden Compass"

It's neck-and-neck between Fisk and Ferretti, but our panel narrowly picked Fisk's work on "Blood" to beat out an anemic "Sweeney Todd."

Best Cinematography
Roger Deakins, "No Country for Old Men"
Robert Elswit, "There Will Be Blood"
Janusz Kaminski, "The Diving Bell and the Butterfly"
Roger Deakins, "The Assassination of Jesse James by the Coward Robert Ford"
Seamus McGarvey, "Atonement"

Unless you're noted composer John Williams, most double nominees cancel each other out in Oscar voting, but our panel believes Roger Deakins will still win for his work on "No Country" despite an additional nod for "Jesse James."

Best Costumes
Jacqueline Durran, "Atonement"
Colleen Atwood, "Sweeney Todd: The Demon Barber of Fleet Street"
Alexandra Byrne, "Elizabeth: The Golden Age"
Marit Allen, "La Vie en Rose"
Albert Wolsky, "Across the Universe"

According to our panel, "Atonement's" Durran, who was previously nominated for "Pride & Prejudice," is the front-runner over Academy favorite Atwood and her work on "Sweeney Todd."

Best Director
Joel & Ethan Coen, "No Country for Old Men"
Paul Thomas Anderson, "There Will Be Blood"
Julian Schnabel, "The Diving Bell and the Butterfly"
Tony Gilroy, "Michael Clayton"
Jason Reitman, "Juno"

Sam Rubin is going out on a limb and predicting "Juno's" Reitman will upset, but according to the rest of our panel, the Coen brothers are locks to win for "No Country."

Best Documentary Feature
"No End in Sight"
"Sicko"
"Taxi to the Dark Side"
"War/Dance"
"Operation Homecoming: Writing the Wartime Experience"

Moore's "Sicko" may have been more popular with the general public than Charles Ferguson's Iraq War documentary "No End in Sight," but our panel still thinks it has a better shot to be rewarded by the Academy. Any concerns over what politically charged bon mots Moore might offer onstage are likely for naught.

Best Documentary Short Subject
"Freeheld"
"Sari's Mother"
"Salim Baba"
"La Corona (The Crown)"

Always a tough category to pick, but a majority of our experts believe "Freeheld" has the upper hand.

Best Film Editing
Roderick Jaynes, "No Country for Old Men"
Christopher Rouse, "The Bourne Ultimatum"
Juliette Welfling, "The Diving Bell and the Butterfly"
Dylan Tichenor, "There Will Be Blood"
Jay Cassidy, "Into the Wild"

"No Country's" so-called cutter 'Roderick Jaynes' is the front-runner in this race, but if he wins the statue may go unclaimed. Jaynes is a pseudonym for the Coen brothers and the Academy has stated that only the submitted nominee can accept the award. Sometimes being clever and modest has its disadvantages.

Best Foreign Language Film
"The Counterfeiters" (Austria)
"Beaufort" (Israel)
"Katyn" (Poland)
"Mongol" (Kazakhstan)
"12" (Russia)

Even 50 years later, World War II themed films always seem to play well with the Academy and that's no doubt one of the reasons Austria's "The Counterfeiters," about a group of concentration camp prisoners recruited to counterfeit foreign currencies, is the presumed favorite here.

Best Live Action Short Film
"Le Mozart des Pickpockets (The Mozart of Pickpockets)"
"At Night"
"Tanghi Argentini"
"The Tonto Woman"
"Il Supplente (The Substitute)"

A somewhat weak year for this category, but our panel is narrowly picking the Danish tearjerker "At Night over the endearing French comedy "Le Mozart des Pickpockets."

Best Makeup
Didier Lavergne and Jan Archibald, "La Vie en Rose"
Ve Neill and Martin Samuel, "Pirates of the Caribbean: At World's End"
Rick Baker and Kazuhiro Tsuji, "Norbit"

Somewhat surprisingly, a large majority of our panel believe the artists who aged Marion Cotillard as Edith Piaf will beat out the fantastical work on "Pirates of the Caribbean: At World's End."

Best Original Score
Dario Marianelli, "Atonement"
Michael Giacchino, "Ratatouille"
James Newton Howard, "Michael Clayton"
Alberto Iglesias, "The Kite Runner"
Marco Beltrami, "3:10 to Yuma"

In what could be one of the few wins for "Atonement" on Oscar night, Marianelli is favored to take home his first statue, but another rising star, Giacchino, could pull an upset for his work on "Ratatouille."

Best Original Screenplay
Diablo Cody, "Juno"
Tony Gilroy, "Michael Clayton"
Brad Bird, Jan Pinkava, Jim Capobianco, "Ratatouille"
Tamara Jenkins, "The Savages"
Nancy Oliver, "Lars and the Real Girl"

Like Quentin Tarantino with "Pulp Fiction" over a decade ago, the trendy Cody has dominated the awards season and the red carpet for her popular script "Juno." Every one of our experts foresees her winning except one: USA Today's Scott Bowles. He predicts "Michael Clayton's" Tony Gilroy pulls a stirring upset.

Best Original Song
"Falling Slowly" from "Once"
"That's How You know" from "Enchanted"
"Happy Working Song" from "Enchanted"
"So Close" from "Enchanted"
"Raise It Up" from "August Rush"

Considered a front-runner since its release last spring, "Falling Slowly" from "Once" has been surprisingly dissed by both the Golden Globes and the Grammys, but our panel predicts it will get the big prize on Oscar night.

Best Picture
"No Country for Old Men"
"There Will Be Blood"
"Michael Clayton"
"Juno"
"Atonement"

Sam Rubin, Anthony Breznican and Scott Feinberg all believe "Juno" will pull an upset for the ages, but the rest of our prognosticators feel secure that "No Country for Old Men" will win the coveted big prize.

Best Sound Editing
Skip Lievsay, "No Country for Old Men"
Karen Baker Landers and Per Halleberg, "The Bourne Ultimatum"
Ethan Van der Ryn and Mike Hopkins, "Transformers"
Christopher Scarabosio and Matthew Wood, "There Will Be Blood"
Randy Thom and Michael Silvers, "Ratatouille"

This is one of those picks where Oscar pools are won and lost, but it appears to be a true toss up for our experts as "No Country" narrowly beats "Ultimatum" and "Transformers."

Best Sound Mixing
Skip Lievsay, Craig Berkey, Gerg Orloff and Peter Kurland, "No Country for Old Men"
Scott Millan, David Parker and Kirk Francis, "The Bourne Ultimatum"
Kevin O'Connell, Greg P. Russell and Peter J. Devlin, "Transformers"
Randy Thorn, Michael Semanick and Doc Kane, "Ratatouille"
Paul Massey, David Giammarco and Jim Stuebe, "3:10 to Yuma"

Eerily similar to the best sound editing results, "No Country" barely squeaks by "Ultimatum" and "Transformers." Can the Coen brothers' artfully designed thriller really sweep the sound award categories?

Best Supporting Actor
Javier Bardem, "No Country for Old Men"
Hal Holbrook, "Into the Wild"
Tom Wilkinson, "Michael Clayton"
Casey Affleck, "The Assassination of Jesse James by the Coward Robert Ford"
Philip Seymour Hoffman, " Charlie Wilson's War"

Bardem has won almost every award possible for his performance in "No Country" and despite admiration for Holbrook's work in "Into the Wild," our panel doesn't believe that's going to change with Oscar.

Best Supporting Actress
Cate Blanchett, "I'm Not There"
Ruby Dee, "American Gangster"
Tilda Swinton, "Michael Clayton"
Amy Ryan, "Gone Baby Gone"
Saoirse Ronan, "Atonement"

Truly the most competitive of the major categories, our experts are split with Cate Blanchett barely fending off challengers Ruby Dee and Tilda Swinton. Interestingly, it's so close that onetime front-runner Amy Ryan has five first place votes, but has dropped all the way down to fourth.

Best Visual Effects
Scott Farrar, Scott Benza, Russell Earl, John Frazier, "Transformers"
John Knoll, Hal Hickel, Charles Gibson John Frazier, "Pirates of the Caribbean: At World's End"
Michael Fink, Bill Westenhofer, Ben Morriss, Trevor Wood, "The Golden Compass"

Our experts believe the CG animation on "Transformers" was truly more-than-meets-the-eye and the Michael Bay blockbuster will defeat the sequel to last year's winner, "Pirates of the Caribbean: At World's End," for Oscar gold.