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The Envelope In Print: The Writer / Director / Cinematographer Issue (December 10, 2008)


Ron Howard on 'Frost/Nixon'
The director retained the play's stars but fleshed out the film with personal moments.
By John Horn
Wednesday, December 10, 2008

Four directors choose the clinchers in their Oscar contenders
One scene can reveal a film's soul.
Wednesday, December 10, 2008

A female cinematographer may vie for Oscar
Maryse Alberti ('The Wrestler') or Mandy Walker ('Australia') could become the first woman to take home that Academy Award.
By Anita Chabria
Wednesday, December 10, 2008

Screenwriter David Hare on 'The Reader'
David Hare set out to script a reconciliation story, not a Holocaust lesson, in 'The Reader.'
By David Hare
Wednesday, December 10, 2008

Three writers dissect a pivotal moment in their films.
One sequence often holds the key to a story.
Wednesday, December 10, 2008

Stressing the pressures of Oscar season
Red carpet season is an intense, stressful period for many.
By Nicole LaPorte
Wednesday, December 10, 2008

The angle on Amy Adams
Amy Adams has an unerring sense of what suits her personality. She's already a classic.
By Elizabeth Snead
Wednesday, December 10, 2008

Viola Davis, 'Doubt'
She's been on-screen in some nameless roles, but Viola Davis makes a name for herself as Mrs. Miller in 'Doubt.'
By Lisa Rosen
Wednesday, December 10, 2008

Anthony Dod Mantle, cinematographer, 'Slumdog Millionaire'
Shot on a mix of film and digital video, "Slumdog Millionaire" moves from shantytown slums to under-construction high-rises.
By Mark Olsen
Wednesday, December 10, 2008

Eddie Marsan on 'Happy-Go-Lucky's' Scott character
The driving instructor was born of isolation and improvisation.
By Lisa Rosen
Wednesday, December 10, 2008

The Envelope in Print: Archive